Software design is challenging. This post explores my approach to make it a little easier, and details a real example of how I applied it to a design problem with Generative.fm.
This post elaborates my thoughts on NFTs as both a consumer and creator of generative art.
Artblocks and/or its featured artists unfortunately choose not to support exploring the infinite number of potential works the algorithms can produce. In this post, I'll show you how to do it anyway, even if you don't know anything about coding.
Using computers to make music creates new avenues of creative expression. But like any tool, what really matters is how it's used. This post explores the difference between interesting and forgettable computer music projects.
A short series of questions to explore the difference between generative and recorded music, and the challenges it presents to determining ownership.
Mubert is a generative music company, and this post documents my findings and subsequent theories about how its generative systems work.
This post covers some of the technical decisions behind my project Generative.fm.
This is an explanatory post about my project Corruption Loops, from inspiration to implementation.
Content is valuable, but producing it is typically expensive, tedious, or both. This post explores why generative systems are uniquely positioned to take advantage of the current content platforms.
Creative coding often calls for adding randomness to your program. This post explains how to apply a simple random number generator to get all sorts of random results.